This title reminds not only the German, Romantic version of my first name, but also the work of a painter from the 19th century that mirrors somehow quite well the approach and the feelings I can carry with me in front of the beauty and the immensity of some places and, in general, the undefined intellectual charm of the horizon's line. The project suggests also an alternative way to draw portraits and offers a view on open landscapes. For evident reasons, it is the only one containing pictures that were not directly shooted by me.